Adjacent to the Carandolet House is a parking structure that overlooks the city, providing the iconic LA Downtown buildings as a backdrop, graffiti and beautiful warm winter light.
We set up the 8 x 10 calumet c1 and took an 8 x 10 film image.
Here is the 8 x 10 polaroid result.
I love love love this photograph. The sun star, the orange cone, the trash can with graffiti, and the hand painted “elavador” sign. The camera was set for a sun star, and this was captured in the moment under no direction. The bride Elizabeth pushing the elevador (Portuguese) button to get back to the venue for the ceremony. It’s the shots in between the shots that are the magic.
We had remote on or camera mounted to a light stand, for a tall point of view of the bride walking down the aisle with a slow shutter to achieve the motion in this image.
For the first look, I like to have the groom walk to his bride, as in the ceremony, that role is reversed. You get true emotion this way, without having him standing in front of a large group, seeing you from a very far distance, and there are no distractions, you get his true reaction.
Not seeing each other before the wedding is an over rated tradition, that should be replaced with the first look.
Contact Studio for your project
Recent Posts from the blog: Nicole Caldwell
Vincentia NSW, AUSTRALIA… After waiting years, these two were able to legally marry, and celebrated by jumping into the South Pacific Ocean in their wedding dresses immediately after the wedding. Wardrobe change for the reception. The wedding next up on the blog.
Roy’s in Amboy. They are having a sign restoration lighting November 16th. It’s a fun road trip. Get your kicks.
First Shot of the day, before the sun came up 6:30 a.m., on our way to trash the dress. More like a celebrate the dress. Put it back on and not worry about getting it sandy, wet, and be free to move on the beach, get your toes sandy, and maybe dip them in the water.