
Call it Wessy in the Wild.
A swing in the wind. A door half open. Then the boots, in the water, at Bombay Beach.
We let the place be the portrait. The desert was already strange. The 35mm just kept it that way. Grain from 1992 film stock, printed as it was shot.
The shot between the shots is the one where they stopped arranging the frame and stepped into it.
Shot with the 1992 film stock- grainy radness.









